Inoltre è apparsa nel telefilm Willy, il principe di Bel-Air in un episodio del 1994. Stacey Dash è ricordata principalmente per aver interpretato Dionne Davenport nel film Ragazze a Beverly Hills (1995) e nell'omonima serie TV. Stacey Lauretta Dash (New York, 20 gennaio 1967) è un'attrice, donna di spettacolo ed opinionista ospite di talk show statunitense.She has also appeared in music videos for Carl Thomas' "Emotional" and Kanye West's "All Falls Down".
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Other television work by Dash includes appearances in the series CSI: Crime Scene Investigation, Single Ladies and the reality TV show Celebrity Circus. She has also appeared in the films Moving, Mo' Money, Renaissance Man, and View from the Top. Dash played Dionne Marie Davenport in the 1995 feature film Clueless and its television series of the same name.
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Whenever it comes to rest, the movie collapses completely, especially when the dialogue shifts to facile political commentary. When he directs action, he directs action when he directs comedy, he directs action and so on. Perhaps this is because filmmaker Peter MacDonald, a veteran second-unit director, can't seem to distinguish one from another. The movie is described as an "action-comedy-romance," but it fails to work as any of the three. The film itself is in trouble long before this. After some freelance card lifting of his own, he is forced by the firm's head of security (John Diehl) into a much more elaborate credit scam and, in trying to impress his new girlfriend, gets himself into real trouble. Usually he works in tandem with his brother (Damon's own brother, Marlon Wayans), but when he meets Amber (Stacey Dash), an eye-popping executive with a giant credit card company, he lies his way into a job in the mail room. Wayans plays a small-time con man who wants to go straight but can't get ahead without breaking the law. The "In Living Color" star, who wrote and executive-produced this new picture, has a handful of these sublimely blank moments in "Mo' Money," but not nearly enough to anesthetize us to the film's painful deficiencies. He's funniest when he simply looks on and observes, motionless, his face plastered with an expression of cowlike obliviousness. Damon Wayans's best moments in his new comedy, "Mo' Money," come when he does nothing.
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